Sororities And Community Service

SOME 'DISCOMFORT the first grade?

Oropa Age: 42 Hello I am the mother of a child of nearly seven years attending the first grade with good profit. For some time the child suffers sporadically but lately with some frequency (1 or 2 times weekly) from crying unjustified and sudden approach me saying that he feels nervous. I tried to get her to talk to see if he has any discomfort or difficulty in school but I answered that everything bene.Solo last night told me that the school is very heavy. When I spoke with the teachers have told me that the child behaves normally, sometimes they seem a bit sad ... They argued that the child has very high expectations to herself and then sometimes feels uncomfortable. At home the atmosphere is relaxed, I and my partner (his dad) to devote a lot of attention, plus I got the part-time for their nearest Starla. When did this "crisis," says he can not help but think when she was very ill and vomited .... Generally a child is happy, happy, play jokes and have male friends and female ..... My husband says not to worry too much, in fact I had talked about some uncomfortable the first year of primary school, but I would not want us to be under some other uncomfortable ... Thanks for any response appreciated.

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The call for Read the following article:

http://www.iltuopsicologo.it/Problemi_emotivi_dell_alunno.asp

Greetings

Do Genital Warts Have Hair

DO NOT MOUTH OR MY CHILD?

veronica@hotmail.it Age: 25

advice on how should I do with my son at 7 years and hyperactive, and why a school should be slow. I do not know if it fail it will be good for him I do not know what to do. will be good for him or we will fail the next year doing one more time. and over again.

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Before you even think about the solution (Reject or do not) I urge you to investigate the possible causes of hyperactivity of his son, or is likely to be again 'back to square one'

Greetings

Pressure Point Helps Periods

MY CHILD HAS DIFFICULTY 'RELATIONSHIP WITH TEACHERS

tck Age: 35 Hello, I have a son who turns 15 on Aug. 5, the problem is that already a few years ago it difficult to interact and communicate with adults, the problem occurred at medium with some teachers but it seemed minor and then I gave him support or tried to explain and talk to him and he seemed to be improving, then the first top I started to have the teachers that my name because he is not annoyed or anything like that simply does not speak monosilabe answers and this is interpreted as indifference and indifference. Not to mention that then I was called by the teacher in September after a half year because still nothing had changed even worse because I too had the votes in stark callus at the end of the year and now still called because everything's getting worse and was sent back to two materials. I state that during the year we tried to talk with him to help create a method of study, and all that we felt could help. Currently, if it comes to talking about things like this or is his relationship problems with school, studying, His total does not want to do but what he likes always produces the same result is not responding to torment us before the eyes or hands sometimes makes a monosilabo not convinced ... not only the problem of the study and then with the school but their general behavior did not want to do anything and everything that makes it is done only when specifically requested type of brush your teeth, do you shower, drink water or juice, and many other things ... I feel no confidence and I do not know what to feel again I wonder if it is a problem that I realized my mistake and either neglected or in his education, I hope I do not know UNPO since the idea of \u200b\u200bthe problem and you can get advice on how to behave as in all what even he seems happy but this is my impression since he does not talk about what thinks or feels. Thank you Tck

Piano Music Mountains Biffy Clyro

OUT-BOOK / BOOK IF-an artist's books platform, Spoleto

OUT-BOOK / BOOK IF-an artist's books platform
a platform on the artist's book / 3 city \u200b\u200b/ 2 shows / infinite hypothesis artist's book / 2 workshop / lab on publishing a
archives 4 / 5 spaces / book-specific interventions / 1 catalog
Fifth biennial edition Artist's Book 2010
Spoleto, Palazzo Mauri , Public Library / fora
by Giorgio Maffei / Emanuele De Donno
draft VIAINDUSTRIAE / STUDIO A '87

shows interactive multiplication-BOOK OUT
trespassing and contemporary artist's book
opening Saturday, June 19, 2010 at 18:30
Spoleto, Palazzo Mauri Public Library
Internal June 19 July 18, 2010

specific actions of Banu Cennetoglu • • Documentation Celine Duval • Dora Garcia Daniela Comani • • • invernomuto Melissa Dubbin & Aaron S. • KoobookArchive Davidson / Maria Arena / Canecapovolto + Zoltan Fazekas / Dominique De Beir / Anne-Clémence de Grolée / Anna Guillot / Guy Lemonnier / Armin Linke Nelida Mendoza / Sabrina Mezzaqui / Pelusio • Michael Michele • Helene Sommer Lombardelli / Mauro Angelo Maffeis Candiano • • • Markus Miessen M + M • Clear Dynys Raponi • Aldo • Umberto Grazzi / Giulia Filippi • Francesco Spampinato / This is a magazine • The Infinite Library (Epaminondas & Cramer) Celine Condorelli • • • Aleksandra Mir Amedeo Martegani • •
contributions Christoph Schifferli, Geneva Bria, Belloli Act, Aldo Iori, Maura Picciau, Andrea Crabs, Donatella Nani

• Performances, actions, and other events to
publication Conceived and performed by Luca Pucci designed by Monet Ryts edited by Cornelia Lauf
• exhibition design platform of Mael LIBRARY IF Veisse

Church Spoleto St. Charles, opening Saturday, June 19 at 17:00
books to install bio / bibliography
specific project
archive of artist books STUDIOA'87
works
Mario Airò, Catherine Arthus-Bertrand, Krzysztof Bednarski , Zadok Ben David / Motti Mizrachi, Mario Callens, Nicola Carrino, Enrico Castellani, G. Achille Cavellini, Pietro Consagra, Luca Costantini, Enzo Cucchi, Hugo de Kempeneer, Dynys Chiara, Piero Dorazio, Christian Dotremont, Caio Mario Garrubba, Andrea Crabs Massimo Giacon / Ettore Sottsas, Irina Ionesco / Gabrielle Wittkopp, Anselm Kiefer, Jannis, Jeffrey Isaac, Emilio Isgro, Isidore Isou, Sol LeWitt, Serenella Lupparelli, Marco Magrini, Sebastian Matta, Torvald Moseid, Cloudy, Gianfranco Pardi, Fabrizio Passarella, Luca Patella, Lamberto Pignotti, Umberto Rapoport, Ursula Stalder, David

laboratory of the art book publishing
BOOK IF art book and infinite possibility
from June 15 to June 18, 2010
Foligno, Spoleto, Perugia, various locations

an artist book platform and interventions
two laboratories
BookBuilders and BookMachines an artist's book-workshops with Amedeo Martegani
Tuesday, June 15 h 10.30-13.00 / 17.00 to 21.00 Carnevali Library exCinema Astra Foligno
Reading the image of the fictional artist's book an artist's workshop with book-James Public Library in June Miliani
16/17/18, Foligno / Perugia Academy of Fine Arts Library / Library Carandente G. Spoleto
with the Fine Arts Academy students Perugia, Florence and Urbino courses Aldo Iori, Andrea Crabs and Gianluca Murasecchi

two presentations / interventions specific
UMBRIA underground with Jeffrey Isaac, co-edited a magazine PIM / COBWEB
WORKSHOP Wednesday, June 16 18.30 h 34, Foligno
ffwd magazine multimedia presentation Wintermute
Thursday, June 17 h 21 , 00 Library Carnevali former Astra Cinema Foligno

bookshop two artist's books, free press and fanzines
ARTIST'S IFLIBRARY bookshop / library Carnivals / WORKSHOP 34 display / design of a concert Mael Veisse

concert "Xiu Xiu" by Black Sheep
Wednesday, June 16 22.00 h Auditorium S. Domenico, Foligno

the draft study A'87 VIANDUSTRIAE and edited by Giorgio Maffei and Emanuele De Donno, was conceived as a platform for events and workshops on the exhibition that the artist's book, one that will involve artists, Italian and international, in different open spaces to a and non-specialist audience. The program
BOOK IF (infinite possibility of the contemporary artist's book) will take place then from the thematic exhibition OUT BOOK, multiplication, and trespassing artist's book, strewn in the halls of the Library of Palazzo Comunale Mauri with specific interventions specifically designed by the artists invited to interact with the space / metaphor of the library. The exhibition curated and designed by French designer Mael Veisse will include a series of stations, microallestimenti where each artist will explain and practice their art book.
listed for that aspect of the project Infinite Library of Daniel Gustav Cramer and Haris Epaminondas or Banu Cennetoglu that offers a catalog of digital photos (draft submitted last Venice Biennale), or Documentation Celine Duval, who proposed one of its publishing operations in series in which Anna Guillot oppue KoobookArchive generates an inter-media and collaborative process with other artists to build a work / multi store books.
Markus Miessen and Condorelli or hybrid forms such as magazine publishing, attachments, publications modular
Aleksandra Mir, M + Me invernomuto.I curators then to implement this epistemological gap most books do not choose to expose artists, but urge to cooperate in the criteria for full show in need of renewal. An experiment in sharing research, a platform for cultural dialogue that also tends to undermine the habitual behavior of the system of art. This
interactive exhibition is anticipated that government intervention will take place from 15 to 18 days in darkened in various locations in the host city and share a working assumption IF BOOK book artist and endless possibility, a platform / laboratory and related to independent publishing experimental artist's book with two workshops and Jacopo Miliani Amedeo Martegani, multimedia presentations of artists' publishing projects like ffwd magazine Invernomuto.E if the book? The book asks questions confronting the research of the artist's book publishing.

The event in its thematic and territorial extension and want to deepen the scientific aspects of the contemporary artist's book still unfathomable, that contribute to the discussion and widen the audience with events. That is the outline of the exhibition sections are more interactive moments, from the workshop to the artistic works and site-specific book to those of study and comparison operators, editors, publishers and artists on the themes suggested by the exhibition. The project involves external issues (Catania and University of Modena, Luigi Poletti Public Library) with the criterion of dissemination and transmission of the themes of the exhibition is the logic of building a network of specialized and related agencies and institutions in this field.
the artist's book has become the subject in the catalog that will tell have an open structure. It will therefore be organized as a tool in progress consists of a container that contains a volume that collects the materials enclosed in the "in-book and sheets, tables, pictures, notes that the rebuild job, never really lockable, sections "out-book" and "if-book." A catalog update, change, construction of an infinite book.
.
-BOOK IN / OUT-BOOK / BOOK IF-an artist's books platform
LIBEROLIBROdARTISTALIBERO5 / V Biennial Artist Book 2010

FOLIGNO, Palazzo Trinci / Spoleto, Palazzo Mauri, Biblioteca Comunale - Palazzo Collicola, Visual Arts and Gallery Carandente
Library G. Carandente / varie sedi / 24 aprile - 18 luglio 2010
to cure di Giorgio Maffei / Emanuele De Donno
progetto di VIAINDUSTRIAE / STUDIO A '87

Matter For Hindu Wedding

Flyer Moving Books

The Flyer of the exhibition Moving Books, you can download, print, cut, where the dotted line and fold in accordion, where solid line (as in the photo) and you've got it!

Blue Film Mysoor Mallige

BOOKS MOVING PICTURES EXPO

Abracadabra

Yesterday dismantle the exhibition Moving Books, book exhibition in motion.

Here you have some picture of opening day just before it opened to the public. The opening day we discussed the books in two large tables (two "gardens" of books!) And during the month we set out books on the shelves, always with the possibility of vision with the use of gloves. Wine
muchíssima people during the opening night and during the entire month of May. That illusion see so much interest!

Thanks to everyone involved for making this event possible!

You can collect your books in person at the library or asking Abracadabra mailing (in contrarembolso) by sending an email to ilboscoblu@gmail.com the name and address.

soon! Roberta

A Way To Watch South Park Studios On Ipod Touch

The Sonar for children

The SonarKids,

music and creative experiences for children and parents.

Barcelona, \u200b\u200b12-13 June 2010

http://www.sonarkids.com/

Solve For R In Monthly Annuity Formula

bases VIII Anaya Premio de Literatura Infantil y Juvenil

To stimulate the creation of works in English aimed at readers over twelve years, Grupo Anaya calls the VIII International Prize for Literature for Children and Youth. There is only one indivisible prize of 18,000 euros, including the publication of the work, and the original admission period ends on September 30, 2010. May present authors of any nationality in Castilian unedited original of at least 100 pages.

http://revistababar.com/wp/?p=2433

....

Purple Red Spots Inside Thigh

to HUMAN BOOK Patio Lemon

Exhibition of artists books and small editions to Llimona Pati, Barcelona.

Ghostbusters Proton Pack To Buy

ILUSTATION

Second festival of illustration and independent publication of Barcelona.

3 to June 13, 2010

more information: http://www.ilustation.com/

Stings When Urinate Brown

2010 BOOK FAIR TO GEORGE S. MOLLERUSSA

This year

Sick Excuses For College

Spaccarotella

He keeps saying that it was an accident.
should explain what we did with the gun in his hand, maybe it's an accident too?
A policeman who starts running with a gun for no reason!
What makes more angry is to see it on TV, while you are interviewing with a rosary in hand,
a great suggestion by his lawyers perhaps, that sucks!

Blank Driving Licence

Abracadabra

Worlds Nickest Tech Deck

MANIFEST MY CHILD GO TO SCHOOL

 Maria Age: 40 

 My name is Maria I'm 40 years old, married, two figli.Il 
 first son is named John attended the class before he turned 6 years 
 February, the second daughter's name is Luisa attended preschool and will make 
 five years in April. They attend the same Institute 
 equal Religioso.Giovanni 
 also attended school there materna.Mio husband is not working because he has health problems, I 
 work outside the province go out to 04.30 in the morning to return in the afternoon 
 at about 16.30. From a lot of time my son 
 obvious discomfort to go to school. The morning starts to say that a tummy ache, crying 
 so much, that his father sent him to the end not scuola.Questo 
 does not happen every day ... I talked to my son to understand what the problem was, I 
 has said that there \\ 'is a teacher who screams and yells his time, once the 
 has pulled her hair, because he had dropped his girlfriend, puts it in 
 punishment by the wall, and complains constantly because do not listen, 
 is distracted and just want to giocare.Ho 
 talked to the director of the school, who told me that although the teacher shouts, but 
 which is very good, and it is the fault of too much feeling of my son, she said, the discomfort 
 lives of my absence to work, and the illness of the father who stays at home 
 solo.Non know what to do, I'm confused please help me understand ... 
 

Birthday Wishes To My Manager

AWARDS IN MOVING BOOK ARTS BOOKS 2010

We are delighted enthusiasm and work of all who have sent their work for selection of exposure Moving Books. Thanks
everyone!

publish the decision of the jury Ignasi Blanch, Ricardo Rendón, Roberta Bridda, Lluís Farré Julia Pelletier.

The exhibition will open, along with the award, on May 4, 2010 at 19 am in Abracadabra Bookshop, C / Gral. Álvarez de Castro, 5, Barcelona and will remain open throughout the month of May with the following schedule:
10.30 - 14.30 and 16.30 - 20.30 (Monday to Saturday). Siamo

meravigliati dell'entusiasmo e del lavoro di tutti quelli che ci hannno spedito il loro per la selezione dell'esposizione book Moving Books. A grazie a tutti!

Below we publish the awards decided by the jury Ignasi Blanch, Ricardo Rendón, Roberta Bridda, Lluís Farré and Julia Pelletier.

The exhibition will be opened along with the awards ceremony, on May 4, 2010 at 19 in the Library Abracadabra, C / Gral. Álvarez de Castro, 5, Barcelona and will remain open to the public throughout the month of May with the following horario:
10:30 to 14:30 and 16:30 to 20:30 (Monday to Saturday).



Premios MOVING BOOKS 2010


Book Award mejor en movimiento
Marina Martínez, Ariel Pirona y Cristina Vila, Waiting for Godot

Book Prize
Curious George and Javier Aspa Pintocanales, Shoal

Sensitive Object Award
Anna Marta Obon and drapes, Noa

Award for best book
Flip Declared wilderness


PROJECT HIGHLIGHTS:

Julio Antonio Blasco, Book Fidel Julio Blasco
Pereiro, In an instant Mariluz
Paola Bagna and Baron, Goloso
Zoel Forni, Cosmogony
Didal Koniac , rrr-clack-Do


BOOKS SELECTED FOR EXHIBITION:

1. Marina Martinez, Ariele Pirona and Cristina Vila, Waiting for Godot
2. Javier Aspa Georgina and Pintocanales, Shoal
3. Anna Marta Obon and drapes, Noa
4. Julio Antonio Blasco, Book Blasco
July 5. Fidel Pereiro, In an instant
6. Paola Bagna and Mariluz Baron Goloso
7. Zoel Forni, Cosmogony and animals Alfabet
8. Koniec Didal, rrr-clack-Do
9. Viñamata Carolina, and L' L'estel avió, scooter, vibration
10. Emma Gonzalez,
Sin título 11. Francesc Montalt y Mayte Sanchez, the Kinda
12. Elisa milked Griful, 4 º 2 ª
13. Eleonora Cumer, Waiting
14. Silvia Ortega y Fornies Sagar, The Day of the Tentacle
15. Maria Victoria Garrido Bianchini, Poesies
16. Cecilia Bustos, Dulces sueños
17. Irene Catania,
Flies and Eyes 18. Loredana Seregni, Still
19. Bonell Antònia Solsona, El Martí se'n goes to sleep
20. LIUNA Virardi, Sin titulo
21. Daniela Violi, The Storyteller
des 22. Arcangela Regis, Belvoir Castle
23. Giuseppe Mendolia Calella, The time is now
24. Alessandra Fazio, Saporito Nuvole
25. Maria Pujol, Sentiments Plans
26. Montse Tobey, Untitled
27. Alba Serra, Calligraphy
28. Silvia Aliaga, volatile Jardí
29. Veronica Alarcon, Regards

Books not selected for the exhibition can be collected in the library Abracadabra. For those who can not go personally contacted by mail for forwarding contareembolso of work ( ilboscoblu@gmail.com ).

selezionati I libri non possono ritirare if the esposizione presso la Libreria Abracadabra. Chi può non può contattarci'll personally via email for the book in rispedizione contrassegno ( ilboscoblu@gmail.com ).

Barcelona, \u200b\u200b18 April 2010 The Organizational

Chinese People Are Lactose Intolerant

22, 23, 24, 25 April

Arts Libris Book Fair Art and Design in Barcelona

Arts Libris project is organized to promote and disseminate
edition copyright in the graphic environment of art and experimentation,
intended as a meeting point for professionals and enthusiasts, producers and collectors around the
Sant Jordi.

book author has many facets, but there are possibilities and results
a set of values \u200b\u200bthat bring together. Understanding the book as a piece of art or
graphic experimentation, with my care, the choice of roles,
bound, etc.. While the decision to set quality commercial interests
and direct contact with the buyer creates a collective halfway
art, craft, design and graphic arts id'enquadernació. However
is an interesting and productive sector in Catalonia has a long tradition
and influence.
Arts Libris a meeting point for professionals and curious, with small
exhibitions, roundtables, conferences and book presentations.
During the four days of the meeting, Santa Monica Arts
be a place of constant activity, meetings and corridor, and over the years
become a major event for the industry. Arts
Libris takes shape in a cross between a marketplace, an exhibition and a mini-conference.

During these four days to gather Arts Libris:

9 65 editorial presentations, roundtables
4 exhibitions
four family workshops

info http://www.artssantamonica.cat/

Disadvantages Of Alligator

POPURRI BOX - OLOKUTI - BCN

I also

partecipo book-room with me!

22, 23 and 24 April Olokuti,

C / Asturias 36 - Barcelona metro Fontana

Sasusaku High School Lemons Fanfic

BOOKS? Printed, bound, and touch down. JURY

collection of books, serials and carried down to workshop along different courses, with THE FROG denomination, small studio productions.
A section of the exhibition will be devoted to the results of two studies based on The tale of Juul Gregie of Maeyer, an installation with illustrations and a tactile version of the story down in format and original prints. These recent works are new productions of the Triangle factory.
We are pleased to invite you to the inauguration of the assembly: "BOOKS? Printed, bound, and touch down. "That will take place at the millennium LIBRARY , Av. Plan Vinyet, 40, on Thursday 8 April at 19.45 pm - Sant Cugat - Barcelona Us hi

wait for me, l'exposició last month fins a finals d'abril, 2010.
Triangle Workshop Equip.

Cost Of Hair Color Jc Jpenney

MOVING BOOKS - BOOKS MOVING Giura

View the number of books received for the contest-exhibition BOOKS MOVING , the selection will be made in mid-April 2010 to examine carefully all the material pervenido.
Thanks in advance for your partecipation and enthusiasm!

View the quantit di materiale ricevuto per il concorso-Esposizione MOVING BOOKS, the Farah per la selezione if metallic di Aprile 2010 , per poter sewed esaminare tutto il materiale inviato attentivement.
grazie a tutti per the Partecipazione e l'enthusiasm!

The jury composed by:
La Giuria:

- IGNASI BLANCH, illustrator and teacher of illustration
www.ignasiblanch.cat

- RICARDO RENDÓN , book Abracadabra

- JULIA PELLETIER, illustrator and organizer of the Festival of Llibre Illustrated "Like Peter by my house"
www.juliapelletier.com

- LLUÍS FARR, y ilustrador escriptor
http://llfarre.blogspot.com

- ROBERTA Bridda , Ilboscoblu, ilustrador y profesora de cursos de Ediciones experimentales
www.robridda.com

External Hdd With Lcd

Gianni Rodari alla Fiera del Libro per Ragazzi 2010

A reason a show dedicated to the great figure of Gianni Rodari
.. .
Current work is one of Rodari of the leading conductors of the 2010 Book Fair Ragazzi.Non could not be otherwise because in addition to the ninetieth anniversary of the birth (1920 to Omegna) and the thirtieth anniversary of the death (1980 in Rome), 2010 is also the fortieth anniversary of ' allocation Rodari HC Andersen Award (1970 in Bologna), the most prestigious award for writers of children's books.

http://www.bolognachildrensbookfair.com/programma/gianni_rodari

In this site there is much interesting material on Rodari
http://www.indire. com / Rodari / study / index.htm

Write today for children

Write means write primarily for themselves, but writing for children does not mean writing for themselves. It means, to use a musical comparison, use a particular instrument and not the whole orchestra. Use a key and all keys. I want to start talking about some cases that I know (for example mine), not to make the autobiography, but for from accurate data. Around '49-50 was already a journalist quite happy with his condition. I worked in a national newspaper in Milan. I sent and the status of any serious intention to do that job the pivot of my life. I was about thirty, not long ago I was a kid. And then one day the editor of the newspaper decided to dedicate a page on Sundays for children. They asked me to make this corner for children. I was the only one to have done years ago, the school teacher and this was the only title that suggests that choice. I also had a predisposition for brilliant pieces of fantasy and humor. I began to publish weekly tales and nursery rhymes for my taste that reflects the youth of the French surrealists read by students in the library. Almost immediately they began to get letters from children asking for his father rhymes tram driver for the traffic policeman father, to his father and used as via.Le rhymes were born, so to speak, on the left hand, but I enjoyed inventing the light of the conditions of which I could not feel the meaning: the first that the children's corner did not appear in a newspaper for children but in a national newspaper very committed and socially close to the popular classes, the second that the angle became more of a direct dialogue with the children. Not a thing done at a desk, but in direct contact with readers, children and their families. They are not, therefore, come to children by way of literature, but that of journalism, so much so that I continued to do even after the journalist. In '50 I was almost forced, even if not entirely convinced, to direct a weekly for children and to characterize it, I invented a series of characters I knew well from the days when, as a reporter, I attended every day of the big markets Milan to study the prices of potatoes, fish, meat, to take care of the problems of household spending. Thus were born as characters Onion, Tomato, the Countess of Cherry, Pear Pear, Raisins master etc.. At that time a publishing house asked me to publish a booklet of my rhymes and asked me to write a book, even a novel, the characters I had invented for a different book: Onion and Tomato. The idea amused me. I prepared a lineup (the skeleton of the story) I took a month's leave and was hosted by a farmer in the countryside of Modena in a month where I did the first draft. In the morning I woke up at dawn. The farmer's daughter knocked on the door: "Come on, John, you're here for work, not to sleep." The housewife would always ask me to which I arrived. The morning I told her I had arrived on pg. 100, celebrated with neighbors and with the children.
Thus were born the first two books at a table but in an environment rich in stimuli in direct contact with reality, with the full freedom to use your imagination. In short, I found it a bit 'for the event is an exciting task that definitely put me on the side of children. In later years this became more and write write one more among the children, with children playing with them, mixing the images of my imagination with images of their fantasia.Così I got into the habit of moving forward in making new books, for three stages: first, to tell aloud to children in schools or where I could meet with the stories that came to mind; children chose different classes and schools located in various Italian cities. Second stage: the object found that could work, which was not limited to the language of the family my relationship with a child or a group, then passed the written version and here is gaining increasing ground to study the mechanisms of the fable and the story, the imagination and reflection on writers I felt closer to Palazzeschi by Zavattini. Third step: to file, by reading to children, before the page became the printing. Door of the school taking care of these things to the reactions of children. Children are also literary critics. Rather than their opinions to be careful in their reactions. If I read the story while I turn around to talk about the other side means that history is not interested, if it distracting when I think should laugh, it means that the joke does not work then the mechanism must be studied better. So I came by making inventive techniques, working material of the fantasy that once I was invited to exhibit some teachers of kindergarten. Thus, not at a desk, but in the context of this experience in contact with teachers, was born on my book The Grammar of Fantasy. I think the most important aspect of the type of work that came quickly was exposing the capture of a way of writing for children, in direct contact with their changing world. This allows me to change and update my views on children, the school, the world, in short, to remake continue my studies, to continually re-educate me by bambini.Mi found without having planned it 'desired shelf of literature of childhood . C. Dickens kept on his desk writing a maxim that says: "It's good that you're gonna get to do." I tried I to obey this maxim without feeling offended, not considering that writing for children was to be Series B or in a ghetto. Children are not second class human beings, but for centuries and millennia are reared apart, no rights, unknown words in a ghetto. But they are coming out. For some time he discovered them and discovered them pedagogy, psychology, pediatrics, advertising, industry (toys, food etc...) The children are now actually more important. For psychoanalysis has become the key to understanding even the adults, to interpret social behavior. The last came also the UN, before issuing a bill of rights of children, then planning the Year of the Child. I personally believe that children have no right to a year of attention, problems of exhibitions, shows, but in the permanent care and growing every day, each year in each country. So I think every year is year of the child. So I'm fine year of children.
The child is a recent discovery. In primitive societies had bought a puppy his name only after adolescence, initiation ceremonies, rituals, even after frightening. In ancient societies was owned by his father as the furniture and animals. In the Middle Ages belonged to the feudal lord. Before the child's revolutionary Europe of 700 discovered the noble savage and only after the baby, when you needed the child labor to operate the spinning, the weaving mills, coal mines in England. The child was a worker, was employed before the pupil of the earth. The school is for all born in Europe in 800, when the industry was in need of a skilled, capable, at least, to read the names of the machines and to interpret the instructions and regulations to make them work. First, the school's all there was no need. And they were illiterate people to invent the wheel, language, agriculture, metallurgy. Were illiterate slaves to build pyramids. Legionnaires illiterates to conquer Gallie. Illiterate serfs to work for the great lords of the Middle Ages. The alphabet and culture have for centuries been the monopoly of the dominant elite. Even the great literatures were born and have produced masterpieces in societies where the majority of children was only a reserve or farm labor.
As far as our country is certainly a fact: the Italian literature was born and developed in and around the courts Stately great centers of civilization and culture spread throughout the peninsula. And from these sources has drawn and kept aristocratic characters, some of which still today. The courtly tradition, not popular, it was tough to die. It continues to act, so that scholars and critics call for less, surrounding it with walls of silence, the literature they call pleasant, although for many years was the only one to reach all yellow, science fiction, comics, movies, television or the children's book. These walls, however, are broken in several places. For film and TV writers are also working. Stories for children have also written them Compagnone and Moravia. The comics are also interested Oreste del Buono and Umberto Eco. Something we have gained even children. But not even all that they are entitled. The children are patients. In 800 began to go to school and enjoy school books. In these books was expressed mainly the teaching pedagogy of the dominant classes the virtues: obedience, saving, the ability to endure sacrifices and so on. Enough, in short, because growth remains far from the trade unions, the first workers' cooperatives, mutual aid societies. But in those books, slowly, we have been putting on the popular fairy tales. Collodi translated from French fairy tales of Perrault and sets aside a few years after school programs and publishers to give his life to Pinocchio: the largest fruit of contemporary classical fairy tale. Pinocchio fairy tales come to life in the ancient Tuscan, French, those of the Brothers Grimm and Andersen. From Pinocchio on the children's book began life in Italy is not the shadow of the school, but in taking directly with the needs of children, with childhood fantasy, the fantasy of growth, with a desire for adventure of young readers. Here in short, baby, win the first floor, he can become the other person outside the mediation of pedagogy. But let's not forget that the greatest philosopher of our time, Benedetto Croce, once had to deny the legitimacy of the existence of children's literature. "The children choose the books on the shelves Italians that they are able to adapt, and those are children's books. But a children's literature does not exist." This could be true for him. Those born in a house full of books and he is given freedom of movement, can go and choose the Orlando Furioso, or Don Quixote or Robinson Crusoe or any other book that could become, maybe reduced, a children's book. Cross, after all, theorized a fait accompli. Theorized that when Pinocchio came out and a few years later he wrote that sentence, the majority of Italian children had no books. He was carrying work tools. Today, however, this speech will change. After all just look at the shelf of books for children and young adults, to measure the height of the liberation that has befallen the children's book than edifying literature of the first 800, compared to the textbook. The important features of that shelf today are, in my view, three: fairy tales, adventure, science with its subdivisions (classic and contemporary tales, adventures and traditional science fiction, the disclosure of historical, geographical, technical and math). As for the fairy tale feel discordant voices rising. There are those who linger to denounce the contents as if fairy tales were born of pedagogy rather than the life of ancient peoples. Some people suggested the major psychoanalytic. But fairy tales are not born in table hints individual, but from the collective processing of peoples and generations distant from each other greatly. There are those who regret the story as something that no longer exists or there is almost even those who proclaim the end of the size great for both children of the authors. At this point I would go up. I have never been printed many books on fairy tales like today. They have never circulated in Italy, as it moves today, tales of all countries (European, African, Asian, South American). The largest collection of Italian folk tales, translated from the various dialects, has recently come to life before our eyes: they are the tales of Calvino. We have not had our brothers Grimm 800, we had Calvin a few years ago. The story is not dying and has never lived more than now. If fifty or a hundred years ago, stories were read and enjoyed by only a certain number of children today, with mass education and the high standard of living popolare, a number assai conquistato hanno più di lettori e di long ascoltatori.

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ILLUSTRATIONS ON CHILDREN'S LITERATURE Call

Very interesting this article by Victor Montoya
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The illustrator must know the sensory-motor development of children, in order to understand the child's own creative activity and, moreover, should know that when a child has a pencil in hand, the first thing you are lines without conviction to give a round shape, which lacks only three spots to represent the human face, for the eyes and mouth are bodies to which the child attaches great importance. After the eyes and mouth, draw the arms and legs, consisting of two vertical and horizontal streaks. Subsequently, they diffuse lines take more stylized and realistic, although many children at the age of eight, followed by abstract expressionist compositions for an adult, are difficult to understand, or say Pablo Picasso: imitate beings and things very easy for the artist, how difficult is to imitate the creativity of young artists.
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http://www.leemeuncuento.com.ar/ilustraciones.html

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